Saturday, October 18, 2014


(New blog alert.)

(Don't worry, I'm still writing on this old workhorse, too.)

Saturday, October 11, 2014

A Fashionable State of Affairs

In the past year, I've gone from being a silly girl in my twenties to being what feels very much like A Woman: married, working at a non-profit, traveling with my husband, planning for the future. It's startling how fast that all happened. And, in the midst of that, I wonder if my wardrobe has had time to catch up.

Trust me, I know how superficial that sounds. After all, there's nothing inherently different about me now that I'm in a fresh new decade, or have a snazzy new gold band as an accessory, or working in someone else's office instead of at home. None of those things should matter vis-a-vis my wardrobe, but, somehow, they do. Something that felt right even a couple years ago now leaves me feeling like I'm playing dress-up: cyberpunk dresses, which I love, suddenly don't fit me like a second skin. I find myself yearning for a pair of skinny black velvet trousers and asymmetrical tanks in natural fibres, and I know it's time to play Name That Style.

For years—years!—my guiding style principle was "post-apocalyptic farm girl." I wanted something that could conceivably take me from a warehouse rave to a turnip patch. Oddly, this isn't a look that most places carry off the rack, so it means assembling a closet from thrift-store gems, hand-me-downs, weirdly styled wardrobe staples, and the very occasional bought-new splurge. And this worked, mostly, with a few missteps (once, while getting ready for a night out, I wore high-waisted leather-look leggings and a black, collared wrap tank top; my hair was big and blonde and blown out to the heavens. M took one look at me and said, "You look like Sandy at the end of Grease," which meant it was time for big LOLs and also back to the sartorial drawing board).

Now, while I still want that general flavour, the farmgirl look is losing steam. I keep thinking about modern-art gallery owners at openings, or goth Japanese hobby-farmers, and 1970s camp counsellors in poorly made horror movies. My closet now is just bonkers: a Garfield sweater nestles in beside a drapey Helmut Lang tank top. My drawer overfloweth with black tank tops, and yet I've also kept a pink sweater I've owned for a half-decade and worn maybe three times. I have miniskirts from that slutty store at the mall, I have booty shorts to be worn only in the winter (and only with tights), I have pants that fit horribly that I can't figure out how to replace, and I have a drawer full of tee-shirts despite the fact that I wear tee-shirts about three times a year.

M is a maximalist in many ways: he loves toys and souvenirs, he buys a tee-shirt at most concerts he attends, he gets the super-special edition Blu-Ray of whatever movie he's buying. We have more box sets in our living room than most video stores (RIP) have on their shelves. And I love our jumble of interlocked stuff, like our wall full of concert posters and our comic-book shelves. Sometimes, though, I wish we had the ability to curate our lives a little more effectively, to remember that the toy/poster/tiny bowl/lanyard that reminds us of a special moment isn't the memory itself.

I struggle to get rid of gifts, like hand-me-down pillows or gnarly old rugs. I hang onto books that I bought during my undergraduate program that I never got around to reading. The things that represent relationships, or things I wanted for myself ("I'll have a season where all I read is steampunk novels!"), are especially hard to ditch. It feels like a betrayal.

Which brings me back to my closet. Most of the clothes that go unworn were gifts: either too fancy for every day wear (a stack of party dresses from my mom), or things that don't quite align with how I want to present myself in the world (that pink sweater). I'm a person who often crafts stories about her outfits: today, I want to look like a safari guide; today, I want to look like a posh beekeeper. (The fact that I rarely want to look like an office manager could be dissected, I know.) When other people's narratives don't match up with mine, it can throw me for a loop. I struggle to shape a story where I wear a heathery Irish sweater and a one of my six black knee-length skirts. I wonder if my clothes are too young for me, or not quite office-appropriate, or too staid. I wrinkle my nose when it comes to go shopping, because I'm at a loss for where to buy new clothes. Mostly, I just want to feel like myself, but  with all these changes in the past year, I'm not totally sure who I am, and who I want to be.

But when I see something I know is right—oh, that's a nice feeling. A recent trip to Value Village scored me a pair of Sorel boots that tickle me completely. I can picture wearing them as I walk through the snow on the way to a client's office, or on a winter walk around my parent's farm, or to brunch with a bunch of girlfriends. I could also picture them on the feet of a magazine editor, or a lavender farmer, or a consultant, or a writer, or any of the other zillions of alternate-reality Kaitlyns I use to shape the vision of how I want my real, messy, married, working, laughing, loving life to go.

Image via

Friday, October 3, 2014

Swipe it, Tap It, Ride It: A Tale of Three Transit Systems

M and I are in California right now, soaking up the sun and having a rollicking good time eating fish tacos, drinking cocktails, and attending raucous podcasts with problematic showrunners. It's been a riot, and it's all been made possible by California's public transit system.

We are emphatically not drivers. We both ride our bikes as early and often as we can, and most of our friends and favourite destinations are within a ten kilometer-radius of our house. And besides, Toronto has done a good job of building up, not out. We're not the sprawliest of cities. Not like, say, Chicago. Or New York. Or, hell, let's just say it: Los Angeles.

Good goddamn, LA is huge. It's mind boggling. At five hundred square miles, it's more than double the size of Toronto. It stretches from Compton to Beverly Hills, from Santa Monica to Topanga. I found it totally bewildering: there were Ethiopian restaurants next to nail salons next to valet parking lots next to microgalleries next to gourmet dog food stores. In the four days we were here, I could see no discernible rhythm to the neighbourhoods: Jewish bakeries shared a storefront with Korean bistros, which were across the street from gorgeous vintage movie theatres. Homeless people and hustlers seemed to be everywhere. It's a surprisingly low-slung city, with a relatively small downtown surrounded by many, many square miles of bungalows and mansions, all of which are hemmed in by the hills.

I wasn't surprised that San Francisco was easy to get around. We spend a fair amount of time on the bus, sure, but SF is much tidier, and it's famous for the BART, the Bay Area's version of Toronto's GO trains. They also have buses, both rapid and locals, and cable cars, all of which form a transit network through the city. But moreover, metro San Francisco is less than 50 square miles. Despite the fact that its topography resembles a EKG (hills! So many hills!), it's fairly walkable and dense. The transit system is the cherry on top of an already-accessible city.

But LA's transit system caught me off-guard. I was nervous about going to the notorious car-centric city without a driver's license, but navigating the Metro and its buses and subways was shockingly easy. We could get from the train station to the airport on a dedicated bus line. We rode the subway to Universal Studios. We took a bus to Venice Beach. I'm not going to lie: it was kind of amazing.

But it wasn't just the size of the system. There were unexpected kindnesses shown to its riders. It cost $1.75 to ride, and transfers were fifty cents. Each bus had an info pamphlet about its route, clearly showing connecting lines. The stops were simply the names of the intersection: Hollywood/Vine, Hawthorne/Lennox, etc. The rapid transit stops had countdown timers and large, easy-to-read information signs about the routes. The TAP cards worked on buses and the Metro, but you could also use cash. The Metro stations are beautifully designed.

There has been a long-running argument in Toronto about what our next steps should be as a transit city. Build a downtown relief line! Give a line to Scarborough, who somehow "deserve" it, as if public transit is a reward to be doled out to a particularly high-achieving cohort of riders! Light rail! Heavy rail! Subways! Dig! Elevate! Talk about it forever!

We've somehow lost the ability to have an coherent conversation about transit. To the detriment of the people who actually ride it, the system is bogged down in bureaucracy, funding reversals, bad PR, lagging wait times, and upgrades that polish the same turd over and over again. While the shiny new Spadina streetcars are lovely to look at, they don't help serve a larger area. The crush of passengers on the rush-hour lines is already at a fever pitch - add in a few delays or jam a couple stations and the whole thing freezes.

Toronto bills itself as a world-class city, but our transit system is a backwater experience. It's expensive, it's slow, it's small. Our leaders have flaunted competing transit packages, designed to upgrade the experience and move the people; unfortunately, these promises aren't always backed up by solid funding schemes, and the current political landscape is one that fractures the transit question into dozens of small-scale conversations - the suburbs, the downtown, the subways, the LRTs - and forgets that public transit is best when it's a visionary, large-scale project designed to serve the public.

We deserve better, as a city. We need a transit system that is reliable in Toronto's murky winters and blazing summers. We need a system that can grow, connecting more and more people as it does. We need regional transit that's fast, reliable, and decongested (and while I have mostly kind words for GO transit, anyone's who's sweated out one of their interminable lineups at Union Station at rush hour knows the stomach-churning run down to your just-announced platform - not to mention the fact that the lines are often confusingly named and the final destination audio-confirmed only once the train has left the station).

I'm not asking for a whole new system. The one we have is flawed, not broken; it's possible to make it better. Start with better HR, which leads to better PR: the drivers and station agents are often visibly irritated by the customers they serve. Make transfers time-based, so that we can hop on and off the system without having to pay again. Extend the service hours, making it possible to take the bus home from the bar after last call. Offer three-day passes. When you commit to fixing up a station, have it take less than, say, a year to complete the project. Invest in automated payment systems, so that riders pay full fares or don't ride at all. (All the transit systems we used on our honeymoon had reloadable cards, which were tapped or swiped to pay the fare.) But it takes more than little fixes: we keep drawing fantasy maps, and we keep getting bupkis. Shovels need to actually go in the ground. Lines need to open on time.

I really hope that whoever replaces Rob Ford as mayor has enough gumption to begin the process of transforming the system that moves hundreds of thousands of people every single day. We all need reliable transit with a plan for the future: anything else is simply not good enough. Until then, residents and visitors to our world class city will be making do with a second-tier ride.

Los Angeles Metro map via MyMaps

Wednesday, September 24, 2014

On the Other Side

It's been nearly two whole weeks since my last blog post; since I wrote about wedding brain, I done got married, threw a banger of a party with my new husband and my entire family (in-laws and outlaws, that gang is), came down with a wretched cold, and had to re-plan part of our honeymoon on the fly when our original Air BnB host soured. I've also devoted equal time to admiring my new wedding ring and the Jewish high holidays, which are happening right about now - working for a Jewish fundraising organization means I've started saying "Happy New Year!" in September, which is a new thing for me.

Planning a wedding meant that my life turned into a cyclone in the final days before our ceremony. I misplaced three pie plates, an entire chocolate cake, a pair of shoes, and an impressive amount of Tupperware. M and I fought like banshees, made up, and then fought again. I learned how to cornrow my own hair, how to walk in 4.5 inch platform wedges, and what it feels like when my dad cries as he walks me down the aisle. We planted a tree - one that blooms in the month of husband's birth, and that has heart-shaped leaves. There was maniacal rushing. There was a glowing photo session. There were some dirty looks and some dashing around the farmhouse in my underwear, well past the point of caring who saw me and who didn't. There were tacos. There was cider. There were dark 'n' stormies and there were love potions. There was so much laughter.

This cyclone means that I'm left with a mosaic of memories - the boys moshing along to "Sabotage," the bartenders singing along to "Close to Me," the speeches that referenced M and my ultra-challenging camping trip, the tiny boxes of chocolates and brief moments of respite from hosting where everything just gelled. I emerged from our wedding weekend feeling like Mike and I were the center of a universe full of love and friends and family. (And also viciously hungover, and with a pile of beef ribs and dim sum that would kill a man.)

Taking on a project like a wedding actually tests the mettle of a couple's relationship. I was surprised to find out that trying to throw a catered party for 100 people was stressful–the magazines make it look so easy! At some points, it felt like more like the day was something that we were trying to conquer rather than celebrate. But through it, he kept making me tea. And we kept going for walks together. And we kept on going. When the day came, it was more than perfect. It captured who we are a couple: private people who love to dance, mushballs who can still wangle a shovel, and part of an extended and involved constellation of people.

I'm a writer, and one with a decent vocabulary at that, but there is no word in the English language for the feeling of gratitude and dedication, the feeling of earned joy, the feeling of enveloping love. 

I've never believed in "the one" - the destiny of two people who are meant for each other. Because that denies all the work that goes into relationships: keeping them fresh, keeping them kind, keeping them loving. Real life doesn't work like that, and even great couples sometimes have bad days (or months). Instead, I believe in "the choice." We get to choose our love stories. We write them as we go. And I'm lucky— despite my utter failure to express exactly how amazing and energized and cherished I felt this past weekend—to have M as my amazing co-author in this love story of ours.

Thursday, September 11, 2014

Wedding Brain

 There's this buzzing in my ear right now, and it's going something like this: call the caterers // have you emailed the rental place yet // oh my god what if nobody comes // what if everybody shows up at three-thirty instead of four // we will never have any money again // it's going to rain // itsnotgoingtorainITSGOINGTOHAIL.

This is my brain when it's been set to "wedding."

 Before I got engaged, I used to roll my eyes at brides who were like, "People are being mean about the seating arrangements!" I'd think all these self-congratulatory thoughts about who people were going to sit where I damn well told them to sit, or else. And since then, I've been sat so far away from the head table that I was practically outside - and this, admittedly, stank - and I've looked morosely at my own seating chart and hoped that my cousins, who are fun, aren't P.O.'ed that I've basically done the same thing to them.

A rundown of the crazy things I've done so far:
  • bought crazy-expensive childrens' sandals from Italy because they fit my stupidly tiny feet.
  • nodded as my parents offered to buy a new fridge so that we would have a place to store cold beer in a barn.
  • had my hair done like a Viking warrior-woman, only the end result was more 1960s beehive, and I hated it.
  • hauled about three thousand pounds of poop-dusted hay out of the barn where we're holding the reception.
  • build stone stairs, using a pickaxe and my bare hands. Like, literally: my bare hands. It was very paleo-home decorating chic, if I do say so myself.
  • said the words "radiant orchid" out loud approximately one million times.
  • debated how much booze is enough booze, how much Elton John is enough Elton John, and how many tacos is enough tacos.
  • cried at schmaltzy poems on the internet.
  • had screaming fights with M, sometimes about things that should be lovely (the words, "I can't believe we're fighting about our fucking vows" have definitely been said, by me, horribly).
  • listened to Bank's song "This Is What It Feels Like" about three hundred times, which is how many times I would put it on our dance mix if I thought I could get away with it.
  • tried to explain to at least three girlfriends that, yes, while this is "my special day," I'm actually sort of nervous about being the center of all that attention. My star isn't that shiny, y'know.
  • tried on about fifty puffy princess ballgowns at The Bride's Project, which was stupid-fun while being completely wrong for me, style-wise.
  • biked home holding three plastic bus bins in my outstretched hand; it a feat that I wouldn't have even attempted six months ago for fear of accidentally windsailing myself into traffic, butnow ain't no thang.
  • promised my friend that, if she ever wanted to elope, I would still buy her a bread maker.
  • wondered what would happen if we decided to elope.
We're getting married in just over a week. Let's see if my brain makes it to then.

Tuesday, September 2, 2014

Meanwhile, I Keep Dancing

Whoops! In all the running-around excitement of last week (whirlwind work weekend/cottage trip/epic friend hangout/what-have-you), I completely forgot to update this blog. To be fair, I have a good reason: I am going crazy.

Because we are getting married, and because we're doing it in a venue that has to be transformed from a semi-broken poo- and hay-storage unit into something that, at the most, will be thrillingly amazing (and at the least will be structurally sound), my brain is on fire basically 24/7. I go to sleep thinking about lists of things we need to do. I wake up thinking about those same lists. I email from the subway and I text from work. I call people and call them again. We make plans. We make things. We are trying to create an experience for ourselves that we're proud of, that we can point to and say, "We did that as a couple, with our families and friends. We love each other. We made this." And sometimes, part of that experience is shooting bolt upright at three AM wondering where we're going to find tiki torches.

This whole process reminds me of that beautiful quote from Hillel: I get up. I walk. I fall down. Meanwhile, I keep dancing." Sigh. Yes, right? Because that is this.

People keep showing up for us in a big way, and I'm so grateful. I have so many anxieties and fears (death, divorce, unhappiness, embarrassment, etc), and these people keep poking my brain and my feelings and saying, "These are cobwebs. There's nothing," and then I can breathe again. Sometimes, that means talking; other times, that means hoisting a nail gun to build a dance floor. After all, we need a place to dance while we celebrate our wedding.

A true story: one of this weekend's projects was to build a set of stone steps around the side of the barn where we're holding our reception. The ground there is literally full of rocks - we had to break it apart with a pick-axe—and the flagstone that had been set aside was fifty meters away, under the front of the barn, piled in a heaped mess of craggy corners and spiders. And yet: my brother, running on three hours of sleep and a whole complement of his own personal anxieties, built the top step. And yet: my aunt and I carried the flagstone around the barn and laid it out on the grass. And yet: my uncle puzzled out the rise and run of the staircase. And yet: I followed my brother's template to build three more stairs. And yet: my friend and I shoveled gravel to fill in the crevasses. And yet: my dad built the final three steps. And then: it was done.

This wedding, this process of joining M and I together, is happening in the context of a group of people who want to see us do well. Nothing we do is in a vacuum. He and I keep turning to each other to say, "If we can get through this, we can get through anything," and that feels so true. We've already been through more as a couple than most people go through in a decade of marriage: death, mental illness, unemployment, medical mishaps. We're strong.

But, you know, at three AM, with the tiki torches looming, I can forget that.

So this is yet another gratitude post: a thank you to the people who are rallying around us in the final weeks of preparation. They keep reminding us, by showing up and working hard, that we're worth all this work. They hold us up when we get bogged down, and their help gives us the space to breath together as a couple. This is the whirlwind, a pile of chaos and tantrums and sleepless night (and so many emails). But this is also dancing. The dancing keeps us sane.

Image of Sliding House via Material Strategies.

Friday, August 22, 2014


Not so long ago, I had a friend turn to me admiringly and say, "You're so good at doing all the self-care stuff. The gratitude practice, getting regular exercise, going to therapy, doing stuff like the 100 Happy Days challenge." It took me by surprise, because I do "the self-care stuff" because if I don't devote large amount of time to actively trying to feel good, I often devolve into feeling, well, terrible.

In an effort to continue carving out these moments of feeling good, I recently did the #100happydays challenge on Instagram. The premise is pretty straightforward: using whatever social media platform you feel happiest on, take a photo/craft a tweet devoted to a moment of joy. Do that every day for 100 straight days. Don't let excuses like "I don't have time" whinge their way into your protective #100happydays cocoon. Feel your life become more joyful. Blah blah blah: transform!

I did mine on Instagram, where there are currently nearly nineteen million photos tagged with the #100happydays hashtag. (Tellingly, there are about 44,000 photos tagged #day97, which might tell you something about the average Happy Days-er's ability to follow through.) I took pictures of acorns, of friends, of kombucha projects, of family members, of my fiance, of food, of flowers, of a rainbow, of cats, of graffiti, of a baseball game, and plenty of other things. Each picture is a moment in time, and many of them make me smile as I scroll back through them. I had forgotten about some of them: honey balls with a friend, for example, or a lovely, lounge-y park afternoon with M devoted solely to reading magazines and talking about our honeymoon.

Some are clear gimmes: the picture of a fig in front of a Beastie Boys poster, for example, is nothing more than just two things I like. I'm not capturing a moment of joy; I'm getting in my daily shot. The shot of me cuddling with a friend's baby isn't quite happy, per se; it's a bit bittersweet and guards my complicated feelings about babies and motherhood. I probably posted more shots of my emerging kombucha project than anyone cared about, and there's a conspicuously lack of photos taken at my office.

About halfway through the hundred days, I realized that usually, I wasn't exactly capturing a moment of happiness. I paying attention to these moments solely so I could take a picture of them. They were still happy, sure (I mean, who doesn't like sitting in a park with a can of Coke Zero and a fresh issue of Entertainment Weekly?), but I was seeking them not for their joyfulness, but for their posterity. And that's sort of...not the point. The pictures became the point, not the feeling they were trying to capture.

Here's the thing: I'm a person with flaws. I'm quick to anger and I'm slow to forgive. I insist on being right, even to the detriment of being kind. I live with many kinds of fear and anxiety, and it damages my ability to get out of my own head. I can be, and have always been (my mother can attest to this) willful.

But I'm also a person who tries to be better. I'm trying getting to know myself, and what makes me feel great. When I feel great, more pieces of the puzzle seem to fit. Unlike a lot of people, I've worked hard at knowing, naming, and working with my emotions. I am honest without being cruel. I live for creativity: writing, cooking, making. I try to make space in my life for things that sustain me: smart work, physical exercise, friends and family. And while the idea of #100happydays was intriguing, the actual practice left me a little cold. A friend of mine, who often bucks convention and grins doing it, started tagging her photos #happyeveryday. When I asked her why, she shrugged. "Why stop at a hundred days?" she replied.

I guess this is why the #100happydays challenge was a little disappointing. I like gratitude logs  - for a while, I had a practice of writing down the five best things that had happened to me that day, and M and I like to play an out-loud version of this game in bed before we go to sleep. But those are sweet memories that I can bring up at the end of the day: they're sparks of love and life that become brighter when we look at them. They're not Christmas lights I hang just to liven up the room.

Image via Instagram, duh.